Marwan Najjar, a famend Lebanese author, director, producer, and critic, has died on the age of 76. Najjar was one of the crucial distinguished figures in Lebanese drama and left a major legacy.
His works outlined Lebanese childhood and adolescence, and lots of Lebanese actors rose to fame via his works. Najjar’s intensive archive included theater productions, movies, and tv collection, akin to Diala, Al Estaz Mandour, and Min Ahla Byout Ras Beirut.
Najjar started his journey as a author, director, and producer whereas learning comparative literature and languages on the American College of Beirut. He began writing and directing performs in faculty and collaborated along with his good friend Kifah Fakhoury on a musical present.
Najjar pursued a journalistic profession and finally discovered himself reporting on political and social points as a result of Lebanese civil warfare.
Najjar’s massive break got here when he met TV drama star Hind Abillamah and her husband, director Antoine S. Rémi. The couple gave Najjar his first skilled alternative, and he created quite a lot of TV dramatic episodes.
He continued his profession within the early Eighties, writing authentic scripts and memorable variations from French and English sources.
Najjar was additionally keen about training and sharing data and values with succeeding generations. He was instrumental in introducing critical academic exhibits selling the “will to beat all fields of science” and a well-known quiz present, Al Moutafawikoun, on Lebanese tv.
Najjar’s reputation elevated within the Eighties, when laughter was badly wanted in Lebanon, and he created a personality named Fares Ibn Imm Fares, who turned an icon of harmless and naive candor.
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He used comedy as a instrument of endorsement, serving academic targets, creating the character of the revolutionary previous instructor, Ustaz Mandour, who turned the image of humorous and rigorous educating.
Regardless of a outstanding TV profession protecting comedy, drama, training, documentaries, and cultural contests, Najjar’s dream was nonetheless one yard greater than the stalls. He selected the rigor of well-made comedy, adapting the play by Georges Feydeau: A Flea in Her Ear, to introduce native audiences to the attraction of structural dynamics.
Marwan Najjar leaves behind a complete portfolio that can not be erased from reminiscence.
His journey ended after 76 years filled with creativity, and he can be remembered as one of the crucial distinguished figures in Lebanese drama.
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